• 2019

• COMMUNICATION CAPTURES

  Close Encounters Vol.02, Dansehallerne, Performative Installation, DEN FRIE, Centre of Contemporary Art, Copenhagen

  Communicating bodies subsequently connect with the filigree rods of sculptures by Stella Geppert. They exude the otherworldly: are they hybrids between the animal and humans—or even cyborgs between man and machine?

  

• 2018

• Reading Simone Forti, Handbook in Motion, 1974, 360 min

  Körperarbeit, Kunsthalle der Sparkasse Leipzig, Leipzig

  Performance, 360 min, charcoal on paper, 150 cm x 180 cm

  

• Marrakesh Conversation

  Noss Noss, Le 18, Marrakesh

  Talk with Claude Horstmann, Soukaina Joual, Ghita Skali und Katrin Ströbel

  

• Two Feet Seven Inches

  Power Plant, Kunsthal Nord, Aalborg, Denmark

  Performative sculptures with Sara Grotenfelt, Antonia Harke, Mikkel Mallow, Julia Müllner, Copenhagen / Aalborg

  

• BUSK

  Power Plant, Kunsthalle Nord, Aalborg

  Full HD, Loop, 11 min, branches / concept and performance: Stella Geppert, camera and editing: Per Henriksen / support: Nordjyllandsværket

  

• Augenblicksverknüpfung, Punkt emotionaler Dichte

  Tangency, Osnabrück

  A performance in public space by Stella Geppert in cooperation with
  Kirstin Flüssmeyer, Lukas Geschwind, Michelle Lui, Birte Opitz and Agnes Nguyen / support: Flüssmeyer Vermessungen

  

• Talk about Sculpture and Choreography

  Körperarbeit, Kunsthalle der Sparkasse Leipzig, Leipzig

  Talk with Mariella Greil, 45 min, charcoal on paper, 150 cm x 180 cm

  

• 2017

• Ten Scores for a Sculpture

  Performance Night on Drawing and Choreography, Haus am Lützowplatz, Berlin

  A Performance by Stella Geppert in cooperation with Jan Burkhardt, Lukas Geschwind, Kathleen Heil, Michelle Lui, Hilla Steinert

  

• 2016

• Another Kind Of Documentation

  Idiopolis, Dialectics between subject and society, State Of Concept, Athens

  ceramic, tripod photo

  

• Athens Conversation

  Idiopolis, Dialectics between subject and society, State Of Concept, Athens

  elastic ligaments, silicon, paper tub, charcoal on canvas, 206 × 310 cm

  

• Reading Robert Morris, Notes on Sculpture, 1967

  Openstudio, Berlin

  charcoal on paper, 150 cm x 150 cm

  

• Hieroglyphendecke

  studio view, Berlin

  Steel, screws, roll of paper, carbon, plastic, silicon, ribbons, drawings
  Dimension 300 cm x 300 cm x 215 cm

  

• Move 7: 42 min after – Feuille de vigne femelle – by Marcel Duchamp

  Never Shown on Purpose, CIRCLE1 Gallery, Berlin

  galvanized plaster, 2013 / 2016, (7 cm x 12 cm x 14 cm)

  

• 2014

• Arbusti

  Moving Studies & Homeopathic Interventions, Venice

  Homeopathic Interventions 01 / Full HD, Loop, 10 min / Branches, cable clip / Direction / Film Editing: Stella Geppert / Camera Operator: Melanie Brugger / Sound: Wladimir Gelwich / Support: Centro Tedesco Di Studi Veneziani

  

• Buongiorno - You Are Welcome!

  Moving Studies & Homeopathic Interventions, Venice

  Moving Studies 01 / Full HD, Loop, 14 min / Direction / Film Editing: Stella Geppert / Camera Operator: Melanie Brugger / Sound: Wladimir Gelwich / Support: Centro Tedesco Di Studi Veneziani / Direzione Polizia Municipale del Comune di Venezia and Giorgia Cavagnin, Marco Romanello

  

• 2013 / 2014

• Sandalo

  Studio, Berlin

  Sandals, engraved

  

• 2012

• Der Apfel, der bei Frau Stubbe auf dem Schreibtisch lag // Dreh der Libellen 2 x 2

  Ab in die Ecke, group exhibition curated by Annett Reckert, Galerie Delmenhorst, Delmenhorst

  Apple // wooden slats, libera (plastic), adhesive tape, lacquer. Two wooden slats are bent horizontally and vertically.

  

• Tribüne

  Public Gallery, Halle, Germany

  Grocery store without windows being vacant for a long time / In cooperation with Elisabeth Decker, Nora Läkamp, Gregor Müller, Franziska Stübgen / … bis das Chamäleon sichtbar wird, move.foreward, Werkleitz Festival, 2012

  

• One–Zero–One

  Undercover Sculptures, kjubh e.V., Cologne

  Shoes, acrylic glass, wood panel.

  

• Égalité

  Undercover Sculptures, kjubh e.V., Cologne

  The bubble levels of old water-levels have been installed into used wooden bars with different origins. The wooden bars are adjusted rightly, when all bubble levels are balanced.

  

• 2011

• Cross-Links

  Senatsreservenspeicher (Artitude e.V.), Berlin

  Cross-Links is an allover Installation, in which I interlinked 42 pre-extant openings (f.ex. that of a silo, broken window panes, drill holes, cracks …) across structures to create relations to place that are architecturally inconceivable.

  

• Both At The Same Time

  Undercover Sculptures, kjubh e.V., Cologne

  Fingerprints on Din A4 paper, acrylic glass.

  

• When Destruction Becomes New Form # 1 – 12

  Aufruhr, frontviews gallery, Berlin

  12 letter trays (the letter trays have been treated in different ways: folded, thrown, crushed, kicked, jumped on, hammered, …), wodden and metal shelters, chairs, walls from the art fair.

  

• Mailänder Skizze

  Aufruhr, invitation card, frontviews gallery, Berlin

  C-Print, 16 cm x 24,5 cm

  

• 2010

• Handouts # 1 – 3

  Statics And The Movement In Between, frontviews gallery, Berlin

  Fingerprints on paper with single fold, 29,7 × 20,8 cm/ Acrylic glass.
  A fingerprint and a sheet of paper are unique in the status of vague contact. The more direct is the action, the less reproducible it becomes.

  

• 2009

• Ohne es zu merken

  Skulpturi DK, Copenhagen, Denmark

  Broom, aluminium bar, grafit, signs at the ceiling.

  

• Unabhängig von der Lage

  Cuxhavener Kunstverein

  Curtains, ceiling illumination and ceiling construction from the Cuxhavener Kunstverein, plasterboard, cable clip, electricity cable, acrylic glass.

  

• Maximale Fallhöhe

  Galerie Oelfrüh, Hamburg

  The gallery has two floors, one and the second floor. The bottom of the vase was drilled out accurately. Under the vase without bottom, I drilled a hole in the same size through the ground floor of the 2nd floor.

  

• Deplatzierungen # 1 – 3

  Skulpturi DK, Copenhagen, Denmark

  Chairs

  

• 2008

• Without Here – Without There

  Unten Drunter, Malmö, Schweden

  The bicycle from the curator, carpet and lamps from the gallery, wooden slats from other exhibitions before, prohibition sign of blockage vorbidden / The room is used during off exhibitions as basement for bike.

  

• 2007

• Nowhere Is Everywhere

  Cluster, Berlin

  Invitation card for the installation Nowhere Is Everywhere / C – Print/ 40 × 60 cm

  

• Bist Du da?

  Künstlerhaus Bremen

  This time the gallery-space itself was the starting point for an installation that both fills and penetrates the space: the foundation was formed from the floor plan, remnant material, and the function of the building complex – which was always used as a production plant. So the wooden bars represent a working-material that gathers in storage, and which allows a spectrum of attached associations in its raw form.

  

• 2006

• catalogue presentation of “Ach so”

  Kreta Pavillon, Rosenthaler Platz, Berlin

  dolly converted in to a sales counter, platform, green carpet, wall covering, banner

  

• 2002

• Standpunkte unterschiedlicher Sichtweisen

  downtown Solothurn, Switzerland

  28 blue dots, coat of paint, 50 cm diameter

  

• Parasitäre Verhältnisse und Dialoge

  Underground Station Alexanderplatz U2, Berlin

  Berlin’s Alexanderplatz metro station, a space increasingly dominated by economic logic, the act of “leaning” becomes a poetic act of resistance. Over a period of two weeks I spend some time observing people in the subway. I watched how they walked and how they responded to the architecture and structure of the station: What directions were the people travelling in?