• Stella Geppert
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  • 2020

  • Dans le corps des autres qui m’ont touché un jour

    CoNTACT, HAUNT at frontviews, Berlin

    No. 1, from the ongoing series Re: Construction of Touch, 2020, Coal, textile, metal,150 × 180 cm / (photo Mirjana Vrbaski)

    Dans le corps des autres qui m’ont touché un jour
  • Reading Deborah Hay, Using the Sky – A Dance, 2020

    NORTH BY NORTHEAST , Deutscher Künstlerbund, Berlin

    Silent reading performance, in HIEROGLYPHENDECKE, 2015/2018, reading desk, paper, carbon, silicone /
    concept/performance: Stella Geppert, camera/editor: Paul Rohlfs (Photo: Ula Przybylska)

    Reading Deborah Hay, Using the Sky – A Dance, 2020
  • Series of Intimacy Talks

    Traumatic Lines, group exhibition at Vincenz Sala Gallery, Berlin

    Talk with TT about Das Phänomen der Liebe, [Phenomenon of Love], Berlin, March 2014, while sitting on a sofa, 00:45 min, position: left TT, right STG, charcoal on paper, 150 cm × 150 cm, code: T001 (photo: T. Bruns)

    Series of Intimacy Talks
  • InsideT – Learning from the Body

    Ablutions of the Tongue, The Round Tower, Copenhagen, Denmark

    Performance, oversize drawing (4 × 5 meters), charcoal, body object (fabric, plastic straps, and pipes, textile tape, charcoal), duration: 21 min (Photo: Katrin Stroebel / Julie Nymann)

    InsideT – Learning from the Body
  • InsideT (collective)

    Ablutions of the Tongue, The Round Tower, Copenhagen, Denmark

    TRAILER / (please ask for the original version) Studio work / Concept, Installation: Stella Geppert / Performance with Jan Burkhardt, Stella Geppert, Frank Willens, Sigal Zouk / Camera: Paul Rohlfs / Sound Editor: Alexander Feldman / Editor: Stella Geppert / 4K video, oversize drawing (4 × 5 meters), charcoal, body object (fabric, plastic straps, and pipes, textile tape, charcoal)

    InsideT (collective)
  • 2019

  • COMMUNICATION CAPTURES

    Close Encounters Vol.02, Dansehallerne c/o DEN FRIE, Centre of Contemporary Art, Copenhagen

    Concept, Choreography, Installation: Stella Geppert / Performer: Jan Burkhardt, Stella Geppert, Lukas Geschwind, David Kummer, Michelle Lui, Sophia Seiss / Co-Production: Dansehallerne / Production-Management: Susanne Ogan / Documentation: Tim Nowitzki, Per Hendriksen / Support: Dansehallerne, Danish Art Workshop, Goethe Institut, Zeitbasierte Künste BURG Halle, Medienwerkstatt Berlin

    COMMUNICATION CAPTURES
  • 2018

  • BUSK

    Power Plant, Kunsthalle Nord, Aalborg

    Full HD, Loop, 11 min, branches / concept and performance: Stella Geppert, camera and editing: Per Henriksen / support: Nordjyllandsværket

    BUSK
  • Reading Simone Forti, Handbook in Motion, 1974, 360 min

    Körperarbeit, Kunsthalle der Sparkasse Leipzig, Leipzig

    Performance, 360 min, charcoal on paper, 150 cm x 180 cm

    Reading Simone Forti, Handbook in Motion, 1974, 360 min
  • Marrakesh Conversation

    Noss Noss, Le 18, Marrakesh

    Talk about “entre patate et papillon: le changement physique en parlant arabe, français et allemand” with Claude Horstmann, Soukaina Joual, Ghita Skali and Katrin Ströbel

    Marrakesh Conversation
  • Two Feet Seven Inches

    Power Plant, Kunsthal Nord, Aalborg, Denmark

    Performative sculptures with Sara Grotenfelt, Antonia Harke, Mikkel Mallow, Julia Müllner, Copenhagen / Aalborg. Support: Danish Art Workshop

    Two Feet Seven Inches
  • Augenblicksverknüpfung, Punkt emotionaler Dichte (Linking Moments – Emotional Point of Density)

    TANGENCY – Stadtverortungen, Osnabrück

    Performance in public space with Kirstin Flüssmeyer, Stella Geppert, Lukas Geschwind, Michelle Lui, Birte Opitz and Agnes Nguyen / support: Gesellschaft für zeitgenössische Kunst Osnabrück e. V. Kunstraum hase29, Flüssmeyer Vermessungen

    Augenblicksverknüpfung, Punkt emotionaler Dichte (Linking Moments – Emotional Point of Density)
  • Talk about Sculpture and Choreography

    Körperarbeit, Kunsthalle der Sparkasse Leipzig, Leipzig

    Talk with Mariella Greil about Sculpture and Choreography, 45 min, charcoal on paper, 150 cm x 180 cm

    Talk about Sculpture and Choreography
  • 2017

  • Ten Scores for a Sculpture

    Performance Night on Drawing and Choreography, Haus am Lützowplatz, Berlin

    A Performance by Stella Geppert in cooperation with Jan Burkhardt, Lukas Geschwind, Kathleen Heil, Michelle Lui, Hilla Steinert

    Ten Scores for a Sculpture
  • 2016

  • Another Kind Of Documentation

    Idiopolis, Dialectics between subject and society, State Of Concept, Athens

    ceramic, tripod photo

    Another Kind Of Documentation
  • Hieroglyphendecke

    studio view, Berlin

    Steel, screws, roll of paper, carbon, plastic, silicon, ribbons, drawings
    Dimension 300 cm x 300 cm x 215 cm

    Hieroglyphendecke
  • Athens Conversation

    Idiopolis, Dialectics between subject and society, State Of Concept, Athens

    elastic ligaments, silicon, paper tub, charcoal on canvas, 206 × 310 cm

    Athens Conversation
  • Move 7: 42 min after – Feuille de vigne femelle – by Marcel Duchamp

    Never Shown on Purpose, CIRCLE1 Gallery, Berlin

    galvanized plaster, 2013 / 2016, (7 cm x 12 cm x 14 cm)

    Move 7: 42 min after – Feuille de vigne femelle – by Marcel Duchamp
  • Reading Robert Morris, Notes on Sculpture, 1967

    Openstudio, Berlin

    charcoal on paper, 150 cm x 150 cm

    Reading Robert Morris, Notes on Sculpture, 1967
  • 2014

  • Arbusti

    Moving Studies & Homeopathic Interventions, Venice

    Homeopathic Interventions 01 / Full HD, Loop, 10 min / Branches, cable clip / Direction / Film Editing: Stella Geppert / Camera Operator: Melanie Brugger / Sound: Wladimir Gelwich / Support: Centro Tedesco Di Studi Veneziani

    Arbusti
  • Buongiorno - You Are Welcome!

    Moving Studies & Homeopathic Interventions, Venice

    Moving Studies 01 / Full HD, Loop, 14 min / Direction / Film Editing: Stella Geppert / Camera Operator: Melanie Brugger / Sound: Wladimir Gelwich / Support: Centro Tedesco Di Studi Veneziani / Direzione Polizia Municipale del Comune di Venezia and Giorgia Cavagnin, Marco Romanello

    Buongiorno - You Are Welcome!
  • 2013 / 2014

  • Sandalo

    Studio, Berlin

    Sandals, engraved

    Sandalo
  • 2012

  • Der Apfel, der bei Frau Stubbe auf dem Schreibtisch lag // Dreh der Libellen 2 x 2

    Ab in die Ecke, group exhibition curated by Annett Reckert, Galerie Delmenhorst, Delmenhorst

    Apple // wooden slats, libera (plastic), adhesive tape, lacquer. Two wooden slats are bent horizontally and vertically.

    Der Apfel, der bei Frau Stubbe auf dem Schreibtisch lag // Dreh der Libellen 2 x 2
  • Égalité

    Undercover Sculptures, kjubh e.V., Cologne

    The bubble levels of old water-levels have been installed into used wooden bars with different origins. The wooden bars are adjusted rightly, when all bubble levels are balanced.

    Égalité
  • 2011

  • Cross-Links

    Senatsreservenspeicher (Artitude e.V.), Berlin

    Cross-Links is an allover Installation, in which I interlinked 42 pre-extant openings (f.ex. that of a silo, broken window panes, drill holes, cracks …) across structures to create relations to place that are architecturally inconceivable.

    Cross-Links
  • Both At The Same Time

    Undercover Sculptures, kjubh e.V., Cologne

    Fingerprints on Din A4 paper, acrylic glass.

    Both At The Same Time
  • When Destruction Becomes New Form # 1 – 12

    Aufruhr, frontviews gallery, Berlin

    12 letter trays (the letter trays have been treated in different ways: folded, thrown, crushed, kicked, jumped on, hammered, …), wodden and metal shelters, chairs, walls from the art fair.

    When Destruction Becomes New Form # 1 – 12
  • 2010

  • Handouts # 1 – 3

    Statics And The Movement In Between, frontviews gallery, Berlin

    Fingerprints on paper with single fold, 29,7 × 20,8 cm/ Acrylic glass.
    A fingerprint and a sheet of paper are unique in the status of vague contact. The more direct is the action, the less reproducible it becomes.

    Handouts # 1 – 3
  • 2009

  • Ohne es zu merken

    Skulpturi DK, Copenhagen, Denmark

    Broom, aluminium bar, grafit, signs at the ceiling.

    Ohne es zu merken
  • Deplatzierungen # 1 – 3

    Skulpturi DK, Copenhagen, Denmark

    Chairs

    Deplatzierungen # 1 – 3
  • 2008

  • Without Here – Without There

    Unten Drunter, Malmö, Schweden

    The bicycle from the curator, carpet and lamps from the gallery, wooden slats from other exhibitions before, prohibition sign of blockage vorbidden / The room is used during off exhibitions as basement for bike.

    Without Here – Without There
  • 2007

  • Nowhere Is Everywhere

    Cluster, Berlin

    Invitation card for the installation Nowhere Is Everywhere / C – Print/ 40 × 60 cm

    Nowhere Is Everywhere
  • Bist Du da?

    Künstlerhaus Bremen

    This time the gallery-space itself was the starting point for an installation that both fills and penetrates the space: the foundation was formed from the floor plan, remnant material, and the function of the building complex – which was always used as a production plant. So the wooden bars represent a working-material that gathers in storage, and which allows a spectrum of attached associations in its raw form.

    Bist Du da?
  • 2002

  • Standpunkte unterschiedlicher Sichtweisen

    downtown Solothurn, Switzerland

    28 blue dots, coat of paint, 50 cm diameter

    Standpunkte unterschiedlicher Sichtweisen
  • Parasitäre Verhältnisse und Dialoge

    Underground Station Alexanderplatz U2, Berlin

    Berlin’s Alexanderplatz metro station, a space increasingly dominated by economic logic, the act of “leaning” becomes a poetic act of resistance. Over a period of two weeks I spend some time observing people in the subway. I watched how they walked and how they responded to the architecture and structure of the station: What directions were the people travelling in?

    Parasitäre Verhältnisse und Dialoge
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