• 2022

• InsideT – Learning from the Body – Movements of Matter #01

  GULLIVER’S SKETCHBOOK, KAI10 Arthena Foundation

  Performative drawings, video / Concept, installation, performance: Stella Geppert / Drawing: Charcoal, paper 600 cm x 450 cm, body object (fabric, plastic straps, pipes, textile tape, charcoal)
  Video: 4K, 26 min, Camera: Paul Rohlfs, Sound: Alex Feldman / Photo: Achim Kukulies, Düsseldorf, 2022

  

• RE: EMPATHY THE NATURE

  TOWER BREATH BODY MEMBRANE, +359 Gallery, Sofia, Bulgaria

  Performance, Video / HD, 14 min, Performance: Stella Geppert / Camera: Kalin Serapionov

  

• H MM A ZI E

  TOWER BREATH BODY MEMBRANE, +359 Gallery, Sofia, Bulgaria

  Performative drawings, video / charcoal on canvas, textile ribbons, 70 cm x 100 cm / HD, Video, 4 min / Camera: Stella Geppert

  

• Re: Empathy The Nature

  head-to-head-to-head, Galerie Georg Nothelfer, Berlin

  Branch, cable tie, metal, textile tape, cardboard, paint
  Dimension variable / Photo: Stella Geppert, Gernot Seeliger

  

• 2021/2022

• CONSTITUTIONS OF THE BODIES

  TOWER BREATH BODY MEMBRANE, +359 Gallery, Sofia, Bulgaria

  Graphite, grease on paper, textile ribbons, 100 cm x 200 cm (Photo: Eric Tschernow)

  

• Inventing the Spine

  head-to-head-to-head, Galerie Georg Nothelfer, Berlin

  Drawing, Imprint / Grease and graphite dust, 20 cm x 30 cm
  Photo: Eric Tschernow

  

• 2021

• LES GESTES DES ORGANES

  Inclusive Break, Liu Haisu Art Museum, Shanghai, China

  THE GESTURES OF THE ORGANS / #01 Coeur #02 Poumons #03 Foie #04 Rein #05 Estomac #06 Galère #07 Vessie #08 Moulin #09 Gros intestin #10 Petit intestin / Coal dust, wax, on paper / 20 cm x 20 cm

  

• IMMERSION, from the series OVERNIGHT

  Inclusive Break, Liu Haisu Art Museum, Shanghai, China

  IMMERSION #03, IMMERSION #05, IMMERSION #02 (floor) / Overnight drawing, pastel chalk on paper, 150 cm x 225 cm

  

• IMMERSION (COLLECTIVE)

  Inclusive Break, Liu Haisu Museum, Shanghai, China

  Performance on silicon imprint from “Immersion #02” on linen, pillows / Concept, choreography: Stella Geppert / Solo Performance: Wei Man (Photo: Guo Bin)

  

• 2020 / 2021

• Dans le corps des autres qui m’ont touché un jour

  DISPOSITION, Kabinet T. ,Zlín, Czech Republic

  No. 2, from the ongoing series RE: CONSTRUCTION OF TOUCH, 2020, Coal, textile, metal, 163 cm × 196 cm (Photo: David Pačut)

  

• InsideT (collective) / Intimacy Talks

  DISPOSITION, Kabinet T., Zlín, Czech Republic

  INSIDE T (collective), 2020, 4 K Video Installation, 17 min / Head Drawings from the Series of INTIMACY TALKS, 2014 / 2015, charcoal on paper, 150 cm x 150 cm
  (middle: sculptures by Ondřej Filípek) (photo: David Pačut)

  

• InsideT – Learning from the Body / InsideT (collective)

  MOVING IMAGES – MOVING BODIES, Institut for Contemporary Art ICA – Sofia, Bulgaria

  InsideT – Learning from the Body (Performance on paper, silicon dots, charcoal, textile) 20 min, 2021 // InsideT (collective) / Video 17 min (loop)

  

• COMMUNICATION CAPTURES (extracts) – Haunt Edition

  ROUTES OF EMPATHY – on the Emphatic in Art, frontviews at HAUNT, Berlin

  COMMUNICATION CAPTURES – Haunt Edition, 90 min, Performance with Stella Geppert, David Kummer, Nitsan Margaliot and the audience, Sound: Brandon Johnson / COMMUNICATION CAPTURES, Full HD – Documentation from COMMUNICATION CAPTURES, Copenhagen, Denmark, April 2019, 26 min (photo: Carsten Eisfeld)

  

• 2020

• Dans le corps des autres qui m’ont touché un jour

  CoNTACT, HAUNT at frontviews, Berlin

  No. 1, from the ongoing series Re: Construction of Touch, 2020, Coal, textile, metal,150 × 180 cm / (photo Mirjana Vrbaski)

  

• Reading Deborah Hay, Using the Sky – A Dance, 2020

  NORTH BY NORTHEAST , Deutscher Künstlerbund, Berlin

  Silent reading performance, in HIEROGLYPHENDECKE, 2015/2018, reading desk, paper, carbon, silicone /
  concept/performance: Stella Geppert, camera/editor: Paul Rohlfs (Photo: Ula Przybylska)

  

• Towel

  Traumatic Lines, Vincenz Sala Gallery, Berlin

  Handkerchief, mascara, 20 cm x 21 cm, 2010 / 2012
  Photo: Stella Geppert (Private Collection)

  

• Series of Intimacy Talks

  Traumatic Lines, group exhibition at Vincenz Sala Gallery, Berlin

  Talk with TT about Das Phänomen der Liebe, [Phenomenon of Love], Berlin, March 2014, while sitting on a sofa, 00:45 min, position: left TT, right STG, charcoal on paper, 150 cm × 150 cm, code: T001 (photo: T. Bruns)

  

• InsideT – Learning from the Body

  Ablutions of the Tongue, The Round Tower, Copenhagen, Denmark

  Performance, oversize drawing (4 × 5 meters), charcoal, body object (fabric, plastic straps, and pipes, textile tape, charcoal), duration: 21 min (Photo: Katrin Stroebel / Julie Nymann)

  

• InsideT (collective)

  Ablutions of the Tongue, The Round Tower, Copenhagen, Denmark

  TRAILER / (please ask for the original version) Studio work / Concept, Installation: Stella Geppert / Performance with Jan Burkhardt, Stella Geppert, Frank Willens, Sigal Zouk / Camera: Paul Rohlfs / Sound Editor: Alexander Feldman / Editor: Stella Geppert / 4K video, oversize drawing (4 × 5 meters), charcoal, body object (fabric, plastic straps, and pipes, textile tape, charcoal)

  

• 2019 / 2020

• Reading Marcel Duchamp – Le processus créatif, 1957, 20 min

  NOT SO A WHITE CUBE #14 — FEMALE REBOUNDS, Lage Egal, Berlin

  Charcoal on paper, 150 cm x 150 cm, metal

  

• 2019

• COMMUNICATION CAPTURES (extracts and elements)

  APA (A Performance Affair), The Second Edition: re: production, Vanderborght Building, Brussels, Belgium

  Solo performance together with the audience / explaining the scores in different languages (English, French, German)
  3 days 6 hours / verbal and nonverbal communication

  

• COMMUNICATION CAPTURES

  Close Encounters Vol.02, Dansehallerne c/o DEN FRIE, Centre of Contemporary Art, Copenhagen

  Concept, Choreography, Installation: Stella Geppert / Performer: Jan Burkhardt, Stella Geppert, Lukas Geschwind, David Kummer, Michelle Lui, Sophia Seiss / Co-Production: Dansehallerne / Production-Management: Susanne Ogan / Documentation: Tim Nowitzki, Per Hendriksen / Support: Dansehallerne, Danish Art Workshop, Goethe Institut, Zeitbasierte Künste BURG Halle, Medienwerkstatt Berlin

  

• COMMUNICATION CAPTURES – FLATTERING TALKS

  Inclusive Break, Liu Haisu Art Museum, Shanghai, China

  Head Drawings, STANDING – LYING – SITTING / COMMUNICATION CAPTURES, Copenhagen, 2019 / 45 min, charcoal on paper, 150 cm x 300 cm

  

• 2018

• Reading Simone Forti, Handbook in Motion, 1974, 360 min

  Körperarbeit, Kunsthalle der Sparkasse Leipzig, Leipzig

  Performance, 360 min, charcoal on paper, 150 cm x 180 cm

  

• Marrakesh Conversation

  Noss Noss, Le 18, Marrakesh

  Talk about “entre patate et papillon: le changement physique en parlant arabe, français et allemand” with Claude Horstmann, Soukaina Joual, Ghita Skali and Katrin Ströbel

  

• Two Feet Seven Inches

  Power Plant, Kunsthal Nord, Aalborg, Denmark

  Performative sculptures with Sara Grotenfelt, Antonia Harke, Mikkel Mallow, Julia Müllner, Copenhagen / Aalborg. Support: Danish Art Workshop

  

• BUSK

  Power Plant, Kunsthalle Nord, Aalborg

  Full HD, Loop, 11 min, branches / concept and performance: Stella Geppert, camera and editing: Per Henriksen / support: Nordjyllandsværket

  

• Augenblicksverknüpfung, Punkt emotionaler Dichte (Linking Moments – Emotional Point of Density)

  TANGENCY – Stadtverortungen, Osnabrück

  Performance in public space with Kirstin Flüssmeyer, Stella Geppert, Lukas Geschwind, Michelle Lui, Birte Opitz and Agnes Nguyen / support: Gesellschaft für zeitgenössische Kunst Osnabrück e. V. Kunstraum hase29, Flüssmeyer Vermessungen

  

• Talk about Sculpture and Choreography

  Körperarbeit, Kunsthalle der Sparkasse Leipzig, Leipzig

  Talk with Mariella Greil about Sculpture and Choreography, 45 min, charcoal on paper, 150 cm x 180 cm

  

• 2017

• Ten Scores for a Sculpture

  Performance Night on Drawing and Choreography, Haus am Lützowplatz, Berlin

  Performance / Stella Geppert in cooperation with Jan Burkhardt, Lukas Geschwind, Kathleen Heil, Michelle Lui, Hilla Steinert

  

• 2016

• Another Kind Of Documentation

  Idiopolis, Dialectics between subject and society, State Of Concept, Athens

  ceramic, tripod photo

  

• Hieroglyphendecke

  studio view, Berlin

  Steel, screws, roll of paper, carbon, plastic, silicon, ribbons, drawings
  Dimension 300 cm x 300 cm x 215 cm

  

• Athens Conversation

  Idiopolis, Dialectics between subject and society, State Of Concept, Athens

  elastic ligaments, silicon, paper tub, charcoal on canvas, 206 × 310 cm

  

• Move 7: 42 min after – Feuille de vigne femelle – by Marcel Duchamp

  Never Shown on Purpose, CIRCLE1 Gallery, Berlin

  galvanized plaster, 2013 / 2016, (7 cm x 12 cm x 14 cm)

  

• Reading Robert Morris, Notes on Sculpture, 1967

  Openstudio, Berlin

  charcoal on paper, 150 cm x 150 cm

  

• 2014

• Arbusti

  Moving Studies & Homeopathic Interventions, Venice

  Homeopathic Interventions 01 / Full HD, Loop, 10 min / Branches, cable clip / Direction / Film Editing: Stella Geppert / Camera Operator: Melanie Brugger / Sound: Wladimir Gelwich / Support: Centro Tedesco Di Studi Veneziani

  

• Buongiorno - You Are Welcome!

  Moving Studies & Homeopathic Interventions, Venice

  Moving Studies 01 / Full HD, Loop, 14 min / Direction / Film Editing: Stella Geppert / Camera Operator: Melanie Brugger / Sound: Wladimir Gelwich / Support: Centro Tedesco Di Studi Veneziani / Direzione Polizia Municipale del Comune di Venezia and Giorgia Cavagnin, Marco Romanello

  

• 2013 / 2014

• Sandalo

  Studio, Berlin

  Sandals, engraved

  

• 2012

• Der Apfel, der bei Frau Stubbe auf dem Schreibtisch lag // Dreh der Libellen 2 x 2

  Ab in die Ecke, group exhibition curated by Annett Reckert, Galerie Delmenhorst, Delmenhorst

  Apple // wooden slats, libera (plastic), adhesive tape, lacquer. Two wooden slats are bent horizontally and vertically.

  

• Égalité

  Undercover Sculptures, kjubh e.V., Cologne

  The bubble levels of old water levels have been installed into used wooden bars with different origins. The wooden bars are adjusted rightly, when all bubble levels are balanced.

  

• 2011

• Cross-Links

  Senatsreservenspeicher (Artitude e.V.), Berlin

  Cross-Links is an allover Installation, in which I interlinked 42 pre-extant openings (f.ex. that of a silo, broken window panes, drill holes, cracks …) across structures to create relations to place that are architecturally inconceivable.

  

• Both At The Same Time

  Undercover Sculptures, kjubh e.V., Cologne

  Fingerprints on Din A4 paper, acrylic glass.

  

• When Destruction Becomes New Form # 1 – 12

  Aufruhr, frontviews gallery, Berlin

  12 letter trays (the letter trays have been treated in different ways: folded, thrown, crushed, kicked, jumped on, hammered, …), wodden and metal shelters, chairs, walls from the art fair.

  

• 2010

• Handouts # 1 – 3

  Statics And The Movement In Between, frontviews gallery, Berlin

  Fingerprints on paper with single fold, 29,7 × 20,8 cm/ Acrylic glass.
  A fingerprint and a sheet of paper are unique in the status of vague contact. The more direct is the action, the less reproducible it becomes.

  

• 2009

• Ohne es zu merken

  Skulpturi DK, Copenhagen, Denmark

  Broom, aluminium bar, grafit, signs at the ceiling.

  

• Deplatzierungen # 1 – 3

  Skulpturi DK, Copenhagen, Denmark

  Chairs

  

• 2008

• Without Here – Without There

  Unten Drunter, Malmö, Schweden

  The bicycle from the curator, carpet and lamps from the gallery, wooden slats from other exhibitions before, prohibition sign of blockage vorbidden / The room is used during off exhibitions as basement for bike.

  

• 2007

• Nowhere Is Everywhere

  Cluster, Berlin

  Invitation card for the installation Nowhere Is Everywhere / C – Print/ 40 × 60 cm

  

• Bist Du da?

  Künstlerhaus Bremen

  This time the gallery space itself was the starting point for an installation that both fills and penetrates the space: the foundation was formed from the floor plan, remnant material, and the function of the building complex – which was always used as a production plant. So the wooden bars represent a working material that gathers in storage, allowing a spectrum of attached associations in its raw form.

  

• 2002

• Standpunkte unterschiedlicher Sichtweisen

  downtown Solothurn, Switzerland

  28 blue dots, coat of paint, 50 cm diameter

  

• Parasitäre Verhältnisse und Dialoge

  Underground Station Alexanderplatz U2, Berlin

  Berlin’s Alexanderplatz metro station, a space increasingly dominated by economic logic, the act of “leaning” becomes a poetic act of resistance. Over a period of two weeks I spend some time observing people in the subway. I watched how they walked and how they responded to the architecture and structure of the station: What directions were the people travelling in?